Summary:
• Get to know the author, Rachel Dal Santo, before she introduces you to the world of Makeup Artistry.
• Become familiar with the broad range of products and equipment available and become an expert in their use.
• Learn how to apply colour theory principles to makeup application.
• Understand skin types and conditions and their relationship to makeup artistry.
• Understand how to operate safely as a makeup artist in accordance with Australian standards.
Units covered in this module:
Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.
CUAPPR515 – Establish and maintain safe creative practice
CUAMUP411 – Design, apply and remove make-up
Learning Outcomes Summary
Introduction to the Course
Welcome!
Ten Attributes of a Successful Makeup Artist
The Author & Guest Makeup Artists
About the Author : Rachel Dal Santo
Guest Makeup Artist : Tatiana Stutz
Guest Makeup Artist : Catherine Farren-Price
Guest Makeup Artist : Colin Wilson
Tools and Products
An Introduction to the Makeup Artist’s Kit
Equipment, Skincare and WHS
Makeup Products
Special Effects Products
Makeup Brushes
Purchasing Your Kit
Work Health and Safety (WHS)
Work Health & Safety Guidelines for the Makeup Artist
Cleaning Your Brushes, Sponges, and Powder Puffs
Brushes
Sponges and Powder Puffs
Australian Work, Health & Safety (WHS) Legislation and Requirements
Government Legislation that Applies to Makeup Artists
General WHS Guidelines for Makeup Artists
How to Complete a Patch Test and Create a Cold Compress
Responsibility for Implementation
Implementation Assistance
Additional Responsibilities and Duties of the Employer
Material Safety Data Sheets (MSDS) and Other
Responsibilities of Manufacturers and Suppliers
Film/Television Industry Specific Safety Considerations
WHS Procedures and Documentation
Risk Management
Assessing Risk Specifically in the Creative Arts Industry
Managing Risks
Steps for Hazard Control
Safety Signage
Reporting Accidents and Hazards
Unsafe Work Practises
How to Plan and Implement WHS Systems
Components of a WHS System
Creating a Good WHS System
Managing a WHS System
Implementing New Health and Safety Processes
Colour Theory for the Makeup Artist
Understanding Colour
Complementary Colours
Primary Colours
Secondary Colours
Tertiary Colours
Warm Colours
Cool Colours
How this Applies to Makeup Artistry
The Language of Colour
Tint, Tone, and Shade
Neutral Colours
Monochromatic Colour Schemes
Colour Value
Hue
Face Charts
Makeup Designs: Guidelines for the Makeup Artist
Makeup Application Basics
Skin Types and Skin Conditions
Features of Different Skin Types
Features of Different Skin Conditions
Contraindications of the Skin
Contraindications Specifically for False Eyelash Application
Skin Conditions Which are not Contagious
Ingredients in Makeup and Skin Care Products
Skincare Products
Cleansers
Eye Makeup Removers
Micellar Water
Makeup Removal Wipes
Toner
Moisturiser
Exfoliating Scrub
Lip Balm
Skin Primer
Barrier Cream
Sun Block
Facial Antiperspirants
Concealer Types and Application
Lotion
Crème
Application of Concealer
Foundation Types and Application
Liquid/Fluid Foundations
Crème Foundations
Powder Foundations
How to Select the Correct Shade of Foundation
How to Apply Foundation
How to Choose a Foundation According to Skin Type
Mixing Foundations
Popular Foundation, Primer and Moisturiser Brands Currently Used
in the Film, Television and Photography Industries
Popular Foundations
Popular Foundation Choices for Men on Camera
Makeup Brands That Provide a Large Selection of
Foundation Shades for Darker Skin Tones
Popular Powder Products (to Set Foundation and Remove Shine)
Popular Skin Primer Products
Popular Moisturisers
Powder Types and Usage
Loose Powder
Compressed Powder
Correcting Skin Problems and Covering Tattoos
Module Exercises
Assignment 1
Stay Connected
The IMUA Community
Summary:
• Become familiar with the diversity of human facial features.
• Use makeup application techniques, like contouring, to balance facial features.
Units covered in this module:
Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.
CUAMUP411 – Design, apply and remove make-up
Learn More About This ModuleLearning Outcomes Summary
Units of Competency
Face Shapes
Identifying Face Shapes
Face Shape Summary
Can You Name These Celebrities?
Contouring : Highlight & Shade
Contour Face Charts
Application Techniques : For Contouring
Technique 1 : Under the Foundation
Technique 2 : Over the Foundation
Technique 3 : Over the Foundation Using Compressed Powder
Other Product Choices for Use Over Foundation
Other Uses for Contouring Techniques
Eye Shapes
Classic Eye Makeup
Application Technique
Eye Shape Adaptations
Smokey Eye Makeup
Application Technique
Makeup for Asian Eyes
Innovation
Eyebrow Shapes
Measuring the Eyebrow
How to Measure an Eyebrow
Shaping an Eyebrow
Application Technique
Common Eyebrow Corrections
Eyebrows Start Too Far Out
Eyebrows Finish Short
Tadpole Eyebrow Shape
Lip Shapes
Lip Products
Lip Pencils
Lipsticks
Lip Paint / Liquid Lipstick
Lip Gloss
Lip Balm
Common Lip Shape Problems and How to Fix Them
Top Lip Is Too Thin
Both Lips Are Too Thin
Asymmetric Lip
Both Lips Too Big
Helpful Tips
Module Exercises
Assignment 2
Summary:
• Explore the world of Glamour Makeup, specifically in the contexts of bridal and fashion.
• Learn about the relationship between makeup and photography.
Units covered in this module:
Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.
CUAIND512 – Enhance professional practice using creative arts industry knowledge
CUAIND412 – Provide freelance services
CUAPPR411 – Realise a creative project
CUAMUP411 – Design, apply and remove make-up
CUAMUP512 – Design and apply specialised make-up
BSBCRT413 – Collaborate in creative processes
CUADES511 – Implement design solutions
Learning Outcomes Summary
Units of Competency
Glamour Makeup for Photography
Makeover Photography Studios
Blogger/Social Media Influencers : Guidelines for the Makeup Artist
Strobing
Stripping
Baking
Wedding Photography
Fashion Photography
Fashion Editorials
Commercial Fashion Photography
Beauty Photography
Beauty Editorials
Commercial Beauty Photography
Other Commercial Photography
Products and Services
Publicity Stills
Model Release Forms
Makeup Trends and Fashions
Staying on Trend
Common Makeup Request : Flawless/Clean Skin
Common Makeup Request : Contouring
How to Work Using Eco-Friendly, Sustainable Methods
Fashion Makeup Demonstrations
Soft Natural Makeup
Classic Corporate Makeup
Red Carpet Glamour Makeup
Kim Kardashian / Instagram Inspired Makeup (Incorporating a Cut Crease Style Eyeshadow Application)
Makeup for Black and White Photography
Makeup Application and Capture for Black and White Photography
Placement of the Blush
Heavier Application
Glitter Can Look Like Dark Specks
Compromises for Shoots Where Both Types of Photography will be Used
Colour vs. Monochrome
Bridal Makeup
Popular Bridal Makeup
Mother of the Bride Makeup
Always use a Primer
Always use a Liquid Foundation
Always Apply Concealer Under the Foundation
Apply Minimal Powder
Avoid Shimmer Eyeshadows
Avoid Dark Eyeshadow Colours
Avoid Plum Colours on the Lips
Bright Colours Give a Younger Look
Use a Lip Liner Pencil
Stretch the Eyelid
Additional Wedding Makeup
Touch-Up/Maintenance Kits
Makeup for Young Teenagers
Makeup for Children
Makeup for Men
Multicultural Weddings
Indian Bridal Makeup
Chinese Bridal Makeup
Glamour Makeup for Dark Skin
Working With Dark Skin Tones
Foundation
Concealer
Loose Powder
Contouring (Highlight and Shade)
Eyeshadow
Eyeliner and False Eyelashes
Blush
Lip Colours
Varying Skin Tones
Bridal Makeup for Dark Skin
Professional Conduct for the Freelance Makeup Artist
Professional Conduct for the Freelance Makeup Artist and How to Enhance Your Professional Reputation
Conduct Guidelines for the Professional, Freelance Makeup Artist
Strategies for Expanding Your Business
Module Exercises
Assignment 3
Summary:
• A deeper look at the fashion industry, this module will see you exploring the various styles and techniques of High Fashion Makeup Artistry.
• Understand the effects of lighting on makeup.
• Become familiar with what it means to collaborate with fashion designers.
• Learn how to incorporate the influence of art, culture, and history into fashion makeup design.
Units covered in this module:
Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.
CUAIND412 – Provide freelance services
CUAMUP411 – Design, apply and remove make-up
CUAMUP413 – Style hair for productions
CUAMUP512 – Design and apply specialised make-up
CUAMUP513 – Design and apply special make-up effects
BSBCRT413 – Collaborate in creative processes
Learning Outcomes Summary
Units of Competency
Photographic vs. Catwalk/Runway Makeup
Key Differences
How Lighting Effects Makeup
Understanding Lighting Types
Fluorescent
Incandescent
Candle Light
Daylight (Natural Light)
Coloured Filters
How Coloured Filters Affect Makeup
Other Filter Effects
Styles of Makeup for the Catwalk/Runway
Hollywood Glamour and Avant-Garde
Avant-Garde Explained
Working With Fashion Designers
Collaborating With a Team
Designing for a Fashion Show
Creating Looks for the Catwalk/Runway
High Fashion Makeup Demonstrations
Various Styles Explained
Culture Inspired Look : Geisha
Culture Inspired Look : Wodaabe Tribe
Culture Inspired Look : Birth of Venus
Theatre Inspired Look : Ballerina
Historical Period Inspired Look : 1960s
Historical Period Inspired Look : Rococo Era
Body Painting
What is Body Painting?
What are its Uses?
Advertising & Marketing
Music Videos
Movies
Fashion Advertising
Fashion Runway Shows
PR & Events
Body Painting Festivals
Art Installations & Painting Performances
Body Painting as Art Pieces
Fancy Dress Events
Cosplay
Body Painting Festivals
Indigenous Origins of Body Painting Around the World
Indigenous Americans
Wodaabe People (also Known as the Mbororo or Bororo)
Nuba People
Kayapo People
Papuan People (Papua New Guinea)
Indigenous Australians
Examples of Modern Body Painting
Tools & Equipment Used for Body Painting
Body Paints
Brushes
Sponges
Water Tub
Wet Wipes
Case or Bag
Optional Tools Can Include
Work Health & Safety Considerations for Body Painting
Paint and Supplies
Cleaning and Disinfection of Brushes, Pens and Other Tools
Artist and client hygiene
Designing a Body Painting
Mood Board
Body Charts
Body Painting Preparation
Skin Prep for Body Painting
Privacy & Comfort of the Model
Accessories
Body Painting Makeup
How to Remove Body Paint
Module Exercises
Assignment 4
Summary:
• Lights! Camera! Action! This module introduces you to the exciting world of Film and Television makeup!
• Become familiar with the many industry-specific standards and how they affect makeup design.
• Learn how to apply a news presenter makeup to both men and women!
• Become confident in one of the most crucial elements of film and television makeup - continuity!
Units covered in this module:
Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.
CUAIND512 – Enhance professional practice using creative arts industry knowledge
CUAIND412 – Provide freelance services
CUAMUP411 – Design, apply and remove make-up
CUAMUP412 – Maintain makeup and hair continuity
CUAMUP413 – Style hair for productions
CUAMUP512 – Design and apply specialised make-up
CUADES412 – Interpret and respond to a design brief
CUADES511 – Implement design solutions
Learning Outcomes Summary
Units of Competency
Introduction to Film and Television
Industry Overview
Industry Terminology
Film and Television Framing/Shot Size Definitions
Film/TV Crews and Their Duties
Film/Television Crew Members and Their Duties
Key Creative Team
Production Department
Location Department
Camera Department
Sound (Audio) Department
Grip Department
Electrical Department
Art Department
Makeup and Hair Department
Wardrobe Department
Post Production
Visual Effects (VFX)
Other Production Crew
Studio Protocol and On Set Expectations
On Set Procedures and What to Expect
Professional Conduct
Professional Image
Personal Hygiene
Extra Equipment Required by the Makeup Artist
Television Makeup
High-Definition (HD)/Digital Television
General Rules for HD Television Presenter Makeup
Floor Duty/On Set Maintenance for Television
Basic On Set Makeup Kit
Male News Presenter Makeup
Makeup for Men
Excellent Complexion
Average Complexion
Problem Complexion
Other Points to Remember
Makeup for Excellent Complexion
Makeup for Average Complexion
Unusual Problems and How to Fix Them
Albino Complexion
Deep Set Eyes
Pale Lips
Strong Coloured Lips
Long Hairs Growing From the Nose, Ears, and Eyebrows
Chroma Key Compositing/Chroma Keying
Female News Presenter Makeup
Applications for Female News Presenters
Makeup for Female News Presenter
Film Makeup
Makeup for Film and the Differences Between Film and Television
Styles of Film Makeup
Pre-Production
Continuity
No Makeup (or Clean Skin) Makeup Design
Rushes/Dailies
‘No Makeup’ Makeup : Male
‘No Makeup’ Makeup : Female
How to Maintain and Apply Creative Arts Industry Knowledge
WHS for all Industry Sectors
Fashion Industry
Film and Television
Theatre
Professional Development and Networking
Script Continuity Analysis
Steps to Set up a Continuity System
Script Analysis : Life is Getting Better
Continuity Considerations
Summary of Scenes
Direct Continuity
Makeup and Hair Changes for Scene 3
Character Breakdown Sheets
Character Breakdown Sheet : Max
Character Breakdown Sheet : Rebecca
Character Breakdown Sheet : Sandra
Example of a Call Sheet From a Different
Television Series for One Day’s Shoot
Using 24 Hour Time
Creating a Roster for the Makeup Department
Creating a Makeup Budget
Creating a Makeup Budget for a Production
Module Exercises
Assignment 5
Summary:
• This module will take you back in time to provide you with an in-depth insight into the fascinating history of makeup.
• Learn the key differences between makeup for camera and makeup for stage.
• See how to create common theatre characters, like a traditional white-faced clown!
Units covered in this module:
Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.
CUAIND512 – Enhance professional practice using creative arts industry knowledge
CUAIND412 – Provide freelance services
CUAMUP411 – Design, apply and remove make-up
CUAMUP412 – Maintain makeup and hair continuity
CUAMUP413 – Style hair for productions
CUAMUP512 – Design and apply specialised make-up
CUAMUP513 – Design and apply special make-up effects
CUADES412 – Interpret and respond to a design brief
BSBCRT413 – Collaborate in creative processes
CUADES511 – Implement design solutions
Learning Outcomes Summary
Units of Competency
Introduction
Theatre Stage Makeup
Designing the Makeup
Lighting and Makeup
Employment in the Theatre
Generic Theatrical Makeup Kit
How to Collaborate in a Creative Process
After Completion of the Production/Project
Basic Male Makeup Techniques for Theatre
Historical Period Makeup
Period-Based Productions
Authentic Makeup vs Interpretations
Ancient Egyptian Period : 3200 BCE (Before Common Era) - 400 CE (Common Era)
Ancient Roman Period : 753 BCE - 476 CE
Ancient Greek Period : 800 BCE - 146 CE
Medieval and Renaissance Periods :
476 - 1350 CE (Medieval/Middle Ages),
1350 - 1500 CE (Renaissance)
Tudor and Elizabethan Periods : 1485 - 1558 CE (Tudor), 1558-1603 CE (Elizabethan)
Stuart and Restoration Periods : 1603 - 1714 CE (Stuart),
1660 - 1688 CE (Restoration)
Georgian Period : 1714 - 1830 CE
Regency Period : 1811 - 1837 CE
Victorian Period : 1837 – 1901 CE
Edwardian and George V Periods : 1901-1910 CE (Edwardian),
1910–1920 CE (George V)
1920s Period : 1920-1930 CE
1930s Period : 1930-1940 CE
1940s Period : 1940-1950 CE
1950s Period : 1950-1960 CE
1960s Period : 1960-1970 CE
1970s Period : 1970-1980 CE
1980s Period : 1980-1990 CE
Period Makeup Demonstrations
Ancient Egyptian Makeup
Georgian Makeup
Victorian Makeup
1920s Makeup
1980s Makeup
Common Theatrical Characters
Geisha Makeup
Hairstyles
General Technique for Geisha Theatrical Makeup
Clown Makeup
The History of Clowns
Types of Traditional Clowns
Traditional White-Faced Clown
Blotting Out / Covering the Eyebrow
Makeup Removal
Module Exercises
Assignment 6
Summary:
• This module is your first taste of Special Effects Makeup, exploring the various techniques available for adding years to a person with makeup!
• Learn how to implement design solutions.
• Become familiar with the topic of copyright.
Units covered in this module:
Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.
CUAIND512 – Enhance professional practice using creative arts industry knowledge
CUAPPR411 – Realise a creative project
CUAMUP411 – Design, apply and remove make-up
CUAMUP512 – Design and apply specialised make-up
CUAMUP513 – Design and apply special make-up effects
BSBCRT413 – Collaborate in creative processes
CUADES511 – Implement design solutions
Learning Outcomes Summary
Units of Competency
Introduction
Designing Old-Age Makeup
Old-Age Characteristics
Approaches to Aging Makeup
Highlight and Shade : Approach and Method
Application Steps for Highlight and Shade Old-Age Makeup
Removal
Latex or Stipple : Approach and Method
Application Steps for Latex or Stipple Makeup
Removal
How to Stretch the Skin for Latex and Green Marble Application
Green Marble : Approach and Method
Mixing Green Marble Liquid
Application Steps for Old-Age Makeup Using Green Marble
Repairs to the Application
Removal
Prosthetics : Approach and Method
Old-Age Makeup Demonstration
Old-Age Makeup
How to Implement a Design Solution
Copyright, Moral Right, and Intellectual Property
Copyright
Moral Right
Intellectual Property
Module Exercises
Assignment 7
Summary:
• This module will see you delving into the fantastical world of character makeup!
• Learn how to interpret and respond to a design brief.
• Use makeup to create common characters like a traditional witch and Oliver Twist’s "Fagin"!
Units covered in this module:
Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.
CUAIND512 – Enhance professional practice using creative arts industry knowledge
CUAPPR411 – Realise a creative project
CUAMUP411 – Design, apply and remove make-up
CUAMUP512 – Design and apply specialised make-up
CUAMUP513 – Design and apply special make-up effects
CUADES412 – Interpret and respond to a design brief
BSBCRT413 – Collaborate in creative processes
CUADES511 – Implement design solutions
Learning Outcomes Summary
Units of Competency
Introduction to Character Makeup
Designing for a Character
Designing for Film and Television
Designing for a Character
Designing for Theatre
Theatre Makeup Techniques
How to Interpret and Respond to a Design Brief
Video Demonstrations
Witch : Traditional Theatre Makeup
Scenario : For Design and Production of the Look
Fagin (Oliver Twist) : Traditional Theatre Makeup
Scenario : For Design and Production of the Look
Stage 1 : Crepe Hair Preparation for the Production of a Reusable Wig
Stage 2 : Application of Bald Cap, Old-Age Makeup, and Foam Latex Prosthetic Nose
Stage 3 : Application of Crepe Hair and Final Makeup Application
Module Exercises
Assignment 8
Summary:
• This module officially welcomes you into the attention-grabbing and jaw-dropping world of special effects makeup. With a focus on injury and disease simulation, your creations are sure to give people chills!
Units covered in this module:
Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.
CUAPPR411 – Realise a creative project
CUAMUP411 – Design, apply and remove make-up
CUAMUP512 – Design and apply specialised make-up
CUAMUP513 – Design and apply special make-up effects
CUAMUP614 – Create prosthetics for special makeup effects
CUADES412 – Interpret and respond to a design brief
BSBCRT413 – Collaborate in creative processes
CUADES511 – Implement design solutions
Learning Outcomes Summary
Units of Competency
Introduction to SFX Makeup
What is SFX Makeup?
An Introduction to Special Effects
SFX Injury and Disease Simulation
Bruising : Recreation
Bruises
Products Used for Simulating Bruises
Bruising : Application Technique
General Technique for Simulating Bruises (for all Mediums : Film, TV and Theatre)
Working From References
Abrasions : Recreation
Products Used for Simulating Abrasions
Abrasions : Application Techniques
General Techniques for Simulating Abrasions (for all Mediums)
Scabs : Recreation
Products Used for Simulating Scabs
Scabs : Application Techniques
General Techniques for Simulating Scabs (for all Mediums)
Tears and Perspiration : Recreation
Products Used for Simulating Tears and Perspiration
Tears and Perspiration : Application Techniques
General Techniques for Simulating Tears (for all Mediums)
General Techniques for Simulating Perspiration (for all Mediums)
Artificial Dirt : Recreation
Products Used for Simulating Dirt
Artificial Dirt : Application Techniques
General Techniques for Simulating Dirt (for all Mediums)
Cuts and Lacerations : Recreation
Products Used for Simulating Cuts and Lacerations
Cuts and Lacerations : Application Techniques
General Techniques for Simulating Cuts and Lacerations
Sutures/Stitches : Recreation
Products Used for Simulating Sutures/Stitches
Sutures/Stitches : Application Techniques
General Techniques for Simulating Sutures/Stitches
Bullet Wounds : Recreation
Products Used for Simulating Bullet Wounds
Bullet Wounds : Application Techniques
General Techniques for Simulating Bullet Wounds
Bullet Hit Squibs
Scars : Recreation
Products Used for Simulating Scars
Scars : Application Techniques
General Techniques for Simulating Scars
Tattoos : Recreation
Tattoo Styles
Tattoos : Application Techniques (all Mediums)
General Techniques for Simulating Tattoos (for all Mediums)
Chicken Pox (Varicella) : Recreation
Products Used for Simulating Varicella
Chicken Pox (Varicella) : Application Technique
General Techniques for Simulating Varicella (for all Mediums)
Small Pox : Recreation
Products Used for Simulating Small Pox
Small Pox : Application Technique
General Techniques for Simulating Small Pox (for all Mediums)
Burns : Recreation
Varying Degrees of Burn Injuries
Products Used for Simulating Burns
Burns : Application Techniques
General Techniques for Simulating Burns (for all Mediums)
Injury and Disease SFX for Fantasy Characters
Creating a Zombie Character
Products Used for Creating Zombies
Zombie Character : Application Technique
General Technique for Creating Zombies (for all Mediums)
Possible Problems and How to Fix Them
SFX Film Makeup : Character Contact Lenses
SFX Makeup Demonstrations
SFX Film Makeup : Burns Simulation Demonstration
SFX Film Makeup : Assault Simulation Demonstration
Module Exercises
Assignment 9
Summary:
• This module will introduce you to the world of hair styling and wig application.
• Become familiar with the broad range of hair styling products and equipment available.
• Learn the theory behind hair styling like contouring with hair and identifying common hair ‘problems’ plus how to fix them.
• Learn how to style hair and apply wigs, which are highly sought-after skills for any professional makeup artist, making you stand out from the crowd, especially in the bridal and media industries!
Units covered in this module:
Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.
CUAIND512 – Enhance professional practice using creative arts industry knowledge
CUAMUP412 – Maintain makeup and hair continuity
CUAMUP413 – Style hair for productions
CUAMUP414 – Style wigs and hairpieces for productions
CUAMUP512 – Design and apply specialised make-up
CUADES511 – Implement design solutions
Learning Outcomes Summary
Units of Competency
Style Hair for Performances or Productions
Introduction
Work Health and Safety for Hairstyling
Hairstyling Tools and Products
Advantages and Disadvantages of Common Hair Products
Required Skills and Differences Between Hairstyling for the General Public and the Media Industries
Design Elements and Principles
Design Elements
Design Principles
Documenting Hair Designs
Types of Curls
Face Shapes and Contouring with Hair
Contouring with Hair
Hairstyles for Balancing Facial Features
How to Resolve Problems with Different Hair Types
Common Hair Problems and How to Resolve Them
How to Identify Hair Types
Basic Characteristics of Each Hair Type
How to Choose Products for the Different Hair Types
Hair Growth Patterns
Common Hair Problems Encountered in the Media Industries
Popular Products Currently Used in the Professional Industry
Styling Afro-Textured Hair
Cultural Sensitivity When Approaching a Client With Afro-Textured Hair
How to Style Hair
How to Style Hair
Newsreader Blow-Dry Bob Style
Long Wavy Style : Using Curling Tongs
Contemporary Style : Messy Bun with Side Braid
Victorian Period Hairstyle
1920’s Finger Wave Hairstyle
Men’s Hairstyle
Strategies for Maintaining Hairstyles in Challenging Circumstances
Styles Suitable for Windy and Humid Outdoor Conditions
Wigs and Artificial Facial Hair
Wig Types
Comparisons of Synthetic Fibre and Human Hair
Suggested Wig Suppliers
Measuring a Client
How to Measure a Client for a Handmade Natural Hair Wig
Preparing a Client
Preparing a Client for Wig Application
Pin Curls
Hair Wrap (no clip for this section)
Wig Preparation and Care
Wig Blocking : Non-Lace Front, Synthetic Wig
How to Block a Non-Lace Front, Synthetic Wig
Tools Used for Blocking a Synthetic Wig
Technique for Blocking a Synthetic Wig
Wig Blocking : Lace Front, Human Hair Wig
How to Block a Lace Front Wig
Tools Used for Blocking a Lace Front Wig
Technique for Blocking a Lace Front Wig
Wig Trimming : All Types
Tools Used for Trimming Wigs
Steps for Trimming a Wig
Wig Cleaning : Non-Lace Front, Synthetic Wigs
Hygiene Protocols
Products/Tools for Cleaning a Synthetic Wig
Steps for Cleaning a Synthetic Wig
Wig Cleaning : Lace Front, Human Hair Wig
Products/Tools for Cleaning a Lace Front, Human Hair Wig
Steps for Cleaning a Lace Front, Human Hair Wig
Wig Storage
Synthetic Wigs
Human Hair Wigs
Wig Application
Application of a Medium- and High-
Grade Wig : Synthetic (Regular Front)
Application of a Lace Front Wig Synthetic or Natural Hair
Wig Styling
Introduction
Styling Synthetic Wigs
Styling Human Hair Wigs
Resolving Potential Wig Problems
Wig Styling Example : Lace Front, Synthetic Wig Styling
Apply a False Moustache
Apply a Artificial Hand Knotted Moustache
Module Exercises
Assignment 10
Summary:
• A deeper look into special effects makeup, this module will take you the world of special effects prosthetics!
• Learn how to originate and develop concepts.
• Gain the skills required for creating simple out-of-kit prosthetics as well as more advanced prosthetics, like a partial ‘face cast’!
Units covered in this module:
Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.
CUAIND512 – Enhance professional practice using creative arts industry knowledge
CUAPPR515 – Establish and maintain safe creative practice
CUAPPR411 – Realise a creative project
CUAMUP512 – Design and apply specialised make-up
CUAMUP513 – Design and apply special make-up effects
CUAMUP614 – Create prosthetics for special makeup effects
CUADES412 – Interpret and respond to a design brief
CUADES511 – Implement design solutions
Learning Outcomes Summary
Units of Competency
Introduction
History of Prosthetic Makeup
The Modern SFX Makeup Artist
How to Originate and Develop Concepts
How to Originate and Develop Concepts
How to Develop Creative thinking
Visual Creativity
Mind Mapping
How to Make a Presentation
Further Considerations for Designing and Applying Specialised Makeup
Prosthetics Take SFX Makeup to the Next Level
SFX Makeup Enhances Characterisation
How to Evaluate Finished Prosthetics Against Production Requirements for Improvement
Prosthetic Manufacture Techniques
Simple Prosthetic Techniques
Out-of-Kit Prosthetic for Theatre
Create Your Own Scar Plate
Scar Plate Technique
Prosthetic Manufacture Using a Partial Face Cast
Stage 1 : Take an Impression of the Model’s Nose
Stage 2 : Create a Plaster Copy/Cast of the Model’s Nose
Stage 3 : Create Nose Bump Number One Using Clay Sculpting
Stage 4 : Create a Mould for Nose Bump Number One
Stage 5 : Create the Latex Prosthetic for Nose Bump Number One
Stage 6 : Create Nose Bump Number Two
Stage 7 : Apply Nose Bump Number One and Complete the Makeup
Stage 8 : Apply Nose Bump Number Two
Advanced Prosthetic Manufacture Techniques
Introduction
Full-Face Cast & Plaster Mould for Foam Latex Prosthetic Appliance
Stage 1 : Create a Plaster Life Cast (Full Face Cast/Mould of the Face)
Stage 2 : Create the Plaster Cast (Copy of the Model’s Face)
Glossary
Foam Latex
Alternative Technique : Urethane Mould & Encapsulated Silicone
Prosthetic Appliance
Alternative Technique : Additional Information
Airbrushing
Alternative Technique : Epoxy Resin
Recent Innovation in Prosthetic Manufacture : 3D Printing
Advantages of 3D Printed Prosthetics
Examples of Productions Where These Prosthetics Were Used
Examples of SFX Makeup Artists who use this Technology
Module Exercises
Assignment 11
Summary:
• The refining touch to your newly acquired skills can be found in this module, which will equip you with the knowledge required to put your skills into professional use!
Units covered in this module:
Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.
CUAIND512 – Enhance professional practice using creative arts industry knowledge
CUAIND412 – Provide freelance services
CUAPPR411 – Realise a creative project
CUAMUP513 – Design and apply special make-up effects
BSBESB402 – Establish legal and risk management requirements of new business ventures
CUADES412 – Interpret and respond to a design brief
BSBCRT413 – Collaborate in creative processes
Learning Outcomes Summary
Units of Competency
Introduction
Establishing a Successful Makeup Business
Setting up Your Business
Business Name
Checklist for the Development & Maintenance of an
Effective Financial & Documents Records System
Insurance
Requirements for Working From a Business Premises and Employing
Workers in Australia
How to Get Clients
Professional Conduct
Networking
Branding and Marketing
Portfolio
MUA Branding Example
Resume
Cover Letters
Business Card
Website
Social Media
Checklist for Establishing a Makeup Artistry Business
Tips for Working in Specific Industry Sectors
Wedding
How to Create a Work Agreement for Client Bookings
How Timing is Calculated
What if the Details of my Booking Change?
Makeup ‘Touch up’ Maintenance Kit
Cancellation Policy
Cancellations Due to Government Restrictions
Permission to Publish Images on Social Media
Points to Note
Client Feedback Form
Wedding Makeup Service Risk Factors & How to Manage Them
Considerations for Attending a Hotel Room to Provide a Makeup Artistry Service
Fashion
Film
Television
Theatre
Working as an MUA Assistant
How to Negotiate Contract or Agreement Variations When Working as a Freelance MUA
How to Create a Contract with a Supplier of Goods or Services for Your
New Business
How to Review Your Work Objectives Measured Against Quality of Life,
Artistic & Commercial Goals
Commercial Goals
Artistic Goals
Quality of Life
Congratulations
Module Exercises
Assignment 12
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